Well it's a new year, a new decade indeed, goodbye to the 'nouties' and a big Yo! to the err... well I'm not sure what we call this decade? I'll leave that to the media to work out in just over 9 years time. No doubt it'll be something cute like the 'teenies'?
So New Year resolutions: Well amongst the usual promise breakers, get fit, eat more healthy, I decided I need to make a more creative contribution with my music this year, be it DJing or producing the latter being the more difficult to aspire to me thinks). As for DJing I just want to get back in the habit of creating regular mixtapes like I used to "pre kids". Easy enough I guess but now years on technology has really caught. I have so many choices before me and I really need to upgrade my tools of the trade.
So this is the big crux, do I stick with the vinyl? Upgrade my battered 7 year old Pioneer CDJ500 (I actually can't believe it is still playing CD's saying that it's pot luck if the cue will work or just randomly loop any 2 second part of the track) to a nice pair of shiny Pioneer CDJ400's or even better CDJ900's? Or should I go the whole 'digital' hog and opt in for Traktor or Serato?
My gut feeling is if I'm leaving the vinyl behind I should just dive head first into Traktor, I mean I'm a geek right, I know computers like the back of my hand, what could go wrong? The big sell is knowing I can take my whole music collection with me where ever you I choose to play. Then there is the economics, a pair of CDJ400's will set me back the best part of £1300, a Traktor set up I'm guessing would be well short of half of that.
I'm going to weigh up these 3 options over the coming months and who knows come Easter I'll may be pushing out my first ever "digital" mixtape. Then again knowing me it'll probably be a TDK SA90 Dolby C recording of my dusty, popping, scratched hip-hop records. Yey!
After earning a trusted name for cartridges and styli for years, Ortofon (founded in 1918 by two Danish engineers) has decided to enter the pro DJ headphone market with the O One headphones. The O One's have the same high level of quality as their cartridges featuring a strong, loud output signal (frequency range of 10 - 22,000Hz and sound pressure level of 112db) and rugged construction is designed to deal with heavy duty DJing or studio use. These highly sensitive headphones will work great with all DJ mixers on the market and can even compensate for mixers with low headphone volumet even in loud club environments. The O One's feature a closed ear design with flexible, replaceable earpads, and detachable single-sided headphone cord. The high quality sound reproduction on these headphones make these great not only for the club DJ, but for the discerning home listener as well.
The body folds and rotates making the headphones easily manipulatable for versatile, comfortable functionality. The O-One’s rugged and durable headband and earcup construction ensures hard-wearing, road worthy performance, and if desired, the headphone cable and earpads can be replaced within seconds for effortless serviceability. In line with this versatility, the enclosed accessories include optional straight or coiled cables, sturdy gold plugs and ¼” adaptor, velour earpads and a convenient carry case to slide in your luggage.
The best thing about the 'O-One', is unlike other closed-back designs, it was engineered using S-Logic to provide a precise representation of sound without coloration or inaccuracies. The design offers listeners a transparent window into sonic purity and is revealing of not only the details and elements which comprise the signal but also any inadequacies or inconsistencies. The addition of the S-Logic design facilitates a superior reproduction of the stereo field, as the drivers are positioned to fire towards the outsides of the ears rather than directly into the external auditory canal. This effectively recreates the way that sound waves enter the human ear from outside sources. This also allows the headphones to be driven at an optimally loud volume with less potential for hearing damage as the sound pressure level inside of the ear canal is greatly reduced. Clever!
By designing a headphone with DJs in mind, Ortofon have produced a powerful, versatile product with premium quality sound reproduction that appeals to a number of contemporary markets and will be challenging the established DJ pro headphones manufactures such as Sony & Pioneer.
Technical Specifications
- closed design
- foldable
- frequency range: 10 - 20,000Hz
- 112db sound pressure level
- 40 Ohm impedence
- replaceable earpads
- detachable single-sided cord (both standard and coiled)
- gold plated plugs
The Ortofon O-One currently retails around £140-150 and is available at specialist DJ retailers.
For the final Deviation show of 2009 and of the decade Benji B presents a 2 hour mixtape special of the chilled variety. Some classics thrown in amongst the stand out slow burners of the year. This is another show to bag so catch it while you can using the BBC i-Player available via Benji B's 1Xtra homepage (just search online for "Benji B 1Xtra").
Kick back and enjoy...
Here is the track list:-
Michael Jackson — I Wanna Be Where You Are (Motown)
James Mason — Sweet Power of Your Embrace (Chiaroscuro Records)
J.R. Bailey — Just Me N’ You (MAM Records)
Dorothy Ashby — Windmills Of Your Mind (Cadet)
Johnny “Hammond” Smith — Cant We Smile (Prestige)
Erykah Badu — Didn’t Cha Know (Universal)
Bill Conti — Reflections (EMI)
Odyssey — Don’t Tell Me, Tell Her (RCA Records)
The Natural Four — Try Love Again (Curtom)
D’Angelo — Greatdayndamornin/Booty (Virgin)
Ramp — Daylight (Blue Thumb)
Karriem Riggins — Rhodes Ahead (Fusicology)
Q-Tip — Vibes & Stuff (Jive)
Slum Village — Go Ladies (Capitol)
J Dilla — ‘Rocccck’ Beat (CDR)
Tawiah — Broken (CDR)
Aretha Franklin — I Get High (Warner Bros)
Chico Hamilton — The Morning Side of Love (Blue Note Records)
VinÃcius de Moraes — Vini 7 (CDR)
Minnie Riperton — Only When I’m Dreaming (Epic Records)
Jon Lucien — Kuenda/Would You Believe Me (RCA Records)
Kellee Patterson — I’m Gonna Love You Just A Little Bit More Baby (Shadybrook)
Azymuth — Manha (Nascente)
Alice Coltrane — Wisdom Eye (Warner Bros)
Donald Byrd — Feel Like Loving You Today (Elektra/Asylum Records)
Rufus & Chaka Khan — Stop On By (ABC)

Check out this 2 hour house mix from my man Bruce Nicholson (MOOVN). He put it down on a recent Ross Hutchison's Cyberjamz show.
Bruce Nicholson Cyberjamz radio 21.12.09 by BruceMoovn
Track listing:-
Mateo & Matos - The Keys
Louie Vega ft Johhny Dangerous - London Roots
CPEN - Mystereo
Gemini - Thinkin' About Your Love
Project 2 - Day Off
Glenn Underground ft Roxy - Adore - Matt Hughes (our one!) edit
Dennis Ferrer - All The Things I Look For
Dele Sosimi - Wahala
Henrik Schwarz - I Exist Because Of You (Dixon Stripped Down Version)
Ce Ce Peniston - He Luvs Me 2 (B Boy Dubvox edit)
Jovonn - Deep End Theme (David Harness Remix)
Peppermint Candy - Chocolate Girl
Park Street - Unspoken (Acapella)
Sun Of Aphrodite - Vibrations
Ralf Gum ft Miriella - Ponle Tumbao
Mark Di Meo ft Kaysee - Always (Tony Loreto Remix)
Still Going - Still Going Theme
Noel Nanton - Your Love (Ian Pooley Remix)
DJ Kulbir - Love Will Find A Way (Organ Dub)
Scott Grooves - The Journey
Blaze - Elevation
Without doubt the best Music Mag out there, picking up where Straight No Chaser left off in 2007, the 7th issue of the must have music and arts mag is out on the streets.
The hotly anticipated Winter 09/10 edition has finally arrived. SHOOK #007 goes deep in the science of rhythm with a feature on JAZZIE B's British Hustle. For the jazz heads, CARL CRAIG, MARCUS BELGRAVE and WENDELL HARRISON give the rub on the resurrected TRIBE RECORDS project. Guilty Simpson, Black Milk, Dilated Peoples, Planet Asia and more salute HEX MURDA. HUDSON MOHAWKE talks about making tracks for Rihanna, while Stefan Lakatos remembers learning to play the trimba from MOONDOG. Plus GILLES PETERSON in Cuba and GASLAMP KILLER, SAMIYAM, HOUSESHOES & RHETTMATIC in LA.
For more information and to pick up a bargin annual subscription check out http://shook.fm
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